Film Reviews.
+commentary
Children of Heaven
Directed & Written by Majid Majidi
Producer: Amir Esfandiari Mohammad
Cinematographer: Parviz Malekzaade
Released: 1997
Budget: $180,000
Box Office: $933,933
World Wide Total: $1,628,579
(Spoilers)
Children of Heaven is easily the most perfect film I have ever seen. This is what a film ought to be. I truly feel Children of Heaven meets the goals I believe movies should have. A film ought to move your heart to the point that it leaves you with utter and true resolve. A film ought to soften you, purify you. And that is exactly what Children of Heaven does to its audience. Ali, a 9 year old boy, carries the weight of poverty on his shoulders alongside his family. He is seen doing a number of things that a typical 9 year old would never be expected to do. He runs errands for his family, such as buying groceries and taking his little sister Zahra’s shoes to the repair shop. They don’t have enough to buy another pair of shoes, so this is what they do. They can barely afford food, let alone new shoes. Even the grocer has them running a tab.
The story begins when Ali puts the shoes down just for a moment to collect some potatoes into a bag for his mother. At this moment, a man who makes his living as a junk collector sees these shoes thinking they are abandoned, and thus proceeds to take them. The film revolves around this ordeal which has burdened Ali greatly. Ali is ashamed. When he cries throughout the film, every time, he has the look of pure despair- but still, he never complains.
He is sad, but he is determined to help his family. Every act, Ali is striving, pushing through the difficulties of poverty so as to be a source of comfort for his sister, his hard-working, yet poor father, and his ill, bed-ridden mother. Multiple times throughout the film Ali, the sister, the father, will be seen looking at shoes. Such a small thing it may seem, but not for this family. Many of us have racks of shoes. Never thinking much of it. This little girl, who is now sharing one pair of shoes with her brother, looks around at the other girls’ shoes at school. She peeks at the window of a shoe shop. She hides her small feet in Ali’s large pair of sneakers, she is ashamed of her situation, but Ali never ceases in his attempt to solve the issue. The film is a series of heartbreaking challenges that comes with the siblings sharing one pair of shoes, and the brave and heart-wrenching ways Ali tries to get his sister a new pair.
A particular moment of the film stays with me. Zahra sees her missing pair of shoes on a girl in school. She stares at her, but that little girl is oblivious to Zahra. Zahra follows her home discreetly. The next day Zahra brings her big brother to the home of this little girl and together they watch her walk home in Zahra’s shoes. Ali and Zahra see that this family is also poor. The girl’s father hugs her and holds her hand. As they start walking, Ali and Zahra see that this father is evidently blind and yet works to earn a living for his family. Ali and Zahra watch this unfold in front of them. Never once, do they say anything to this family, or anyone, about the shoes. The mercy and compassion of these children. These are the children of heaven.
I find it beautiful that every time Ali’s attempts to solve the problem fails, or Zahra felt saddened by the difficulty of sharing a single pair of shoes with her brother, instead of complaining, the two quietly shared their pain in silence. That is not to say they did not have every right to complain, but the fact that they did not speak negatively about their lives, especially as children facing hardship, shows why these are the Children of Heaven. In Islam, we believe that to complain is to show distrust in God’s plan, to show ingratitude for what we do have. Ali and Zahra did not pretend they were not experiencing hardship, their pain was real, but they remained dignified.
Another point I’d like to make is the love Ali has for his sister. This is certainly a quality of a child of Heaven. Ali is one of the few in his class to achieve a top grade on his exams, and so the teacher gives him a fake, plastic, dazzling, gold pen. To these children that was something valuable, something special. He immediately runs to his sister and gives it to her. Rarely do we see Ali smile, but every time he does it’s because there’s a chance he can make his sister smile too.
Bugonia
Directed by Yorgos Lanthimos
Writer: Will Tracy
Original Writer: Jang Joon-hwan
Producers: Andrew Lowe, Ed Guiney, Ari Aster, Lars Knudsen
Cinematographer: Robbie Ryan
Released: 2025
Budget: $55 Million
Box Office World Wide: $23.1 Million
(Not really any spoilers)
Bugonia had me on the edge of my seat the entire time. An experience Yorgos never fails to deliver (at least in my opinion). Emma Stone and Jesse Plemons are both absolutely insane in this. I enjoyed seeing Emma Stone have her hair shaved off by one of the characters. The commitment to Yorgos’ vision and the close collaboration between them all over the last few years has been exciting and never ceases to deliver the most deranged, thought-provoking performance and execution of the inner workings of Yorgos’ mind.
Bugonia tests us. Yorgos is asking us do we believe in the big pharma ceo giant (Emma Stone) or the deeply effected, poor, mentally-ill, and dangerous neighbor (Jesse Plemons) who has been irrevocably damaged by modern society and capitalism's handling of him and his ill family? Who’s the bad guy? Yorgos’ absurdist style is so fitting a tool to scrutinize the state of the world right now. On one side of the world Elon Musk is being propped up by his Tesla board to become the world’s first trillionaire and on the other side the president of the United States commands the incineration of 500 metric tons of food aid for the children and families who need it.
On a nuanced level, Bugonia unveils the loneliness in modern society. Yorgos reveals through this very off-the-wall, aliens-taking-over earth-storyline, a very real and human problem. Humans are deeply yearning for real connection, whether they realize it or not. In this story, that need is buried so deep, and yet is creating so much of the pain and very real consequences around Jesse’s character.
Bugonia is thrilling and crazy, but it's also asking a lot of very deep and real questions that many of us are asking, and have been for some time. What has this world come to? Is this the end?
I think anyone who doesn’t like this film either does not like the questions Yorgos is asking because they are disillusioned by their own comfortability, or they simply aren’t hearing them between the lines. This is not just an alien movie! We should all be grateful someone like Yorgos still makes it to the box office. On a cinematic note, I love how intentional the CU and wide shots are.
*Important to mention, this is a remake of the South Korean film Save The Green Planet (2003) by Jang Joon-hwan.
(Spoiler)
I will say, I wish it had a stronger ending. Emma Stone is actually an alien, and her using the calculator to transport was cool. I enjoyed that scene. And I also enjoyed the very last scenes of everyone on earth being dead, because it speaks the truth. At some point in time we will die. This world will cease to exist. Have we prepared for death? As a Muslim this is something I think about often. That day is promised to us. Why do we take it so lightly? Just seeing the visuals for all those people in all different cultures and tax brackets just being gone, souls departed, in the middle of whatever they were doing whether it was praying, partying, cooking, working, etc- it was a very moving reminder for what is to eventually come. No matter who we are, how much money we have, Judgement Day is coming. We need those reminders, we can’t afford to get lost in the delusion of this life. So, thanks Yorgos, as always, I enjoyed your movie.